Judith Lauand, Brazil: Untitled, 1959, tempera on board
Welcome to Part 2 of my report of The Illusive Eye at El Museo del Barrio in New York city, a splendid exhibition curated by the museum’s director, Jorge Daniel Veneciano. While I loved the entire exhibition, I respond more strongly to the galleries you see here. In part that’s because we are led into them by
0 Comments